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143266 articulos, 7164 páginas

Albéniz, Isaac: Yvonne En Visite!

Arreglo: Piano
Época: Romanticismo
Editorial: Salabert
Nº de artículo: SLB00580200
From a collection of children's pieces entitled Album for children young and old. The composer described this piece as the visit of a young pianist forced by her mother to play in front of the guests. Intermediate level.
Precio: $15.50

Albéniz, Isaac: Zambra granadina op. 92/7

Danse orientale aus ''Piezas caracteristicas''

Arreglo: Guitar
Editorial: Schott
Nº de artículo: GA446

Albéniz, Isaac: Zambra Piece Caract. N.7 (Garcia)

Arreglo: Guitar
Época: Romanticismo
Editorial: Salabert
Nº de artículo: SLB00158600

Albéniz, Isaac: Zaragoza

Arreglo: Piano
Época: Romanticismo
Editorial: Salabert
Nº de artículo: SLB00161300

Albéniz, Isaac: Zortzico

Arreglo: Piano
Época: Romanticismo
Editorial: Salabert
Nº de artículo: SLB00311200

Albéniz, Mateo: Sonate E major

Editado por Koch, Hans Michael
Arreglo: Guitar
Editorial: Schott
Nº de artículo: GA472

Albert Lee

From the Classic Star Licks Video Series Newly Transcribed and Edited!

Arreglo: Guitar
Editorial: Hal Leonard
Nº de artículo: HL00403522

Albert, Eugen d': Due canzoni lidie

pour guitare, édition revue et corrigée par l' auteur

Arreglo: Guitar
Época: Siglo XX
Editorial: Max-Eschig
Nº de artículo: ME00860800

Albert, Morris: Feelings

Arreglado por Bock, Gabriel
Arreglo: Piano
Editorial: Schott
Nº de artículo: ED011003

Alberto Ginastera in Switzerland

Editado por De Benedictis, Angela Ida – Meyer, Felix
Editorial: Boosey and Hawkes
Nº de artículo: BH13327
In 1971, the Argentinian composer Alberto Ginastera (1916-1983) relocated to Geneva to make a fresh start with Aurora Natola (1923-2009), an Argentinian cellist resident in Switzerland and widowed since 1970. With this book, published on the occasion of the first centenary…

Albimoor, Willy: Seven easy Dances

Arreglo: Piano
Editorial: Schott
Nº de artículo: SF9408

Albinoni, Tomaso: Adagio

Instrumentación por Haan, Jacob de
Arreglo: Concert Band
Época: Barroco
Editorial: De Haske
Nº de artículo: DHP1023120-010
The Adagio is based on a manuscript that was discovered in the Dresden State Library after the Second World War by Remo Giazotto, a Milanese musicologist who was working on Albinoni's biography at the time. Only the bass line and six bars of melody were found and they probably…

Albinoni, Tomaso: Adagio

Instrumentación por Haan, Jacob de
Arreglo: Woodwind Quintet
Época: Barroco
Editorial: De Haske
Nº de artículo: DHP1064082-070
The Albinoni Adagio is based on a manuscript that was discovered among the ruins in the Dresden State Library after the Second World War by Remo Giazotto, a Milanese musicologist who was working on Albinoni?s biography at the time. Only the bass line and six bars of melody were there…

Albinoni, Tomaso: Adagio

Transcrito por Giazotto, Remo
Instrumentación por Hoffman, Jamin
Arreglo: String Orchestra
Época: Barroco
Editorial: Hal Leonard
Nº de artículo: HL04490441
The beloved Adagio from Albinoni has long been a concert favorite everywhere. Jamin Hoffman's new version is set in E minor and arranged to fit the musical and technical levels of today's string orchestras. It includes a keyboardpart that can be played on organ (as the original)…

Albinoni, Tomaso: Adagio

Arreglo: Woodwind Ensemble, Saxophone (more)
Editorial: Tierolff Muziekcentrale
Nº de artículo: TIE4457S

Albinoni, Tomaso: Adagio (Azpiazu)

Arreglo: Guitar
Época: Barroco
Editorial: G. Ricordi & Co.
Nº de artículo: SY2088

Albinoni, Tomaso: Adagio in Sol minore per archi e organo

Arreglo: Trumpet and Piano
Época: Barroco
Editorial: Ricordi
Nº de artículo: NR13152100

Albinoni, Tomaso: Adagio in Sol minore per archi e organo

Arreglo: Violoncello and Piano
Época: Barroco
Editorial: Ricordi
Nº de artículo: NR13203700

Albinoni, Tomaso: Adagio in G minor

Arreglado por Schultz, Robert
Arreglo: Piano
Época: Barroco
Editorial: Faber Music
Nº de artículo: F.1029AP1X
The flowing, sustained beauty of this famous orchestral work is tastefully captured in this piano solo arrangement. Beginning softly, the piece builds to a full texture and volume, incorporating all the original orchestral lines, and includes a written out cadenza.
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